The 10 Most Anticipated Animated Movies, According to Letterboxd

There is an impressive slate of films set for release over the next few years, with 2022 alone boasting the upcoming release of anticipated hits such as Matt Reeves’ The Batman and the newest Robert Eggers horror The Northman, and multiple Marvel projects expected to drop in 2023.


‘Spider-Man: Across The Spider-Verse Part One’ (October 2022)

The first in a two-part sequel to 2018’s Spider-Man: Into The Spider-Verse, Across the Spider-Verse Part One is set to bring back audience favorites from the first installment of Sony Animations Spider-Man universe. Miles Morales (Shameik Moore) and Gwen Stacy (Hailee Steinfeld) reconnect in the first trailer before Miles is flung headlong into the multiverse. With this new installment, fans can expect to see a unique animation style for every universe the titular Spider-Man ventures into, expanding on what made the first movie so much fun, to begin with.

This film has been highly anticipated since audiences first got to experience Into The Spider-Verse and immediately wanted more. With a release date set for October 7th, 2022, Letterboxd audiences have already racked up 1.6k views on the film’s page, even though it is still 8 months away.

‘Spider-Man: Across The Spider-Verse Part Two'(2023)

With the hype for part one comes the hype for part two. Sony Animation continues to have audiences on their side as they eagerly anticipate Across The Spider-Verse Part Two, without even coming close to seeing the first one yet.

Due to that fact, very little is known about the plot of the movie, but fans on Letterboxd are quickly preparing themselves for 2023, with the film being added to over 700 lists already.

‘Guillermo Del Toro’s Pinocchio'(December 2022)

There is certainly no shortage of Pinocchio-themed projects upcoming in 2022. The one that audiences are waiting for the most, however, is Guillermo Del Toro’s Pinocchio, which will be the acclaimed director’s first animated feature. The premise of the film is classic Del Toro ingenuity — it’s stop-motion, it’s a musical, and it’s set within Mussolini’s fascist regime in Italy.

While the exact date is not yet known, the release is scheduled for December 2022 on Netflix. Letterboxed users have already begun getting prepared for Pinocchio, with the film being added to 2.3k lists on the platform.

‘Lightyear’ (June 2022)

Lightyear is an upcoming Pixar movie that is set to chronicle the story of Buzz Lightyear (Chris Evans) — no, not the toy, the character that the toy was based on. With the latest trailerjust released, fans are excited to see the sci-fi animated film take flight, and find out what exactly it is that Buzz did that was worthy of getting an action figure.

This film also features a star-studded cast, with names such as Taika Waititi, Keke Palmer, and James Brolin supporting Evans in the movie which is set for release on June 17th, 2022. Users on Letterboxd are excited, to say the least, with the title already having been added to a huge 4.5k lists.

‘How Do You Live?'(Release Date Unknown)

So far, very little is known about How Do You Live? The majority of the anticipation surrounding the film comes from the fact that it is bringing acclaimed Japanese filmmaker Hayao Miyazaki out of retirement for one last project. The movie is set to be adapted from the 1937 novel of the same name by Genzaburo Yoshino, which chronicles the journey of a teenage boy’s emotional growth.

The Studio Ghibli film is yet to have as much as a release year announced, but that hasn’t stopped Letterboxd users from jumping aboard the hype train. The film has been added to 1.6k lists already by eager Ghibli and Miyazaki fans who can’t wait to see what the legendary director does with the story.

Turning Red (March 2022)

Another Pixar movie set for release this year, Turning Red is a coming-of-age tale that sees protagonist Mei try to make her way through middle school, while also occasionally transforming from a thirteen-year-old girl into a giant red panda.

Originally slated to open in cinemas, Turning Red will now be premiering on Disney+ on March 11th, 2022, due to the ongoing COVID-19 pandemic. Letterboxd users have flocked to this film, with the page amassing an addition to 3k lists so far, as well as 65 reviews for the yet-to-be-released movie.

The Bob’s Burgers Movie (May 2022)

In an extension of the hit FOX tv show, The Bob’s Burgers Movie takes place on any ordinary day in the Belcher’s lives — until a burst pipe creates a sinkhole outside the store, and the family has to work together to save the Bob’s Burgers business.

After multiple delays, the movie is set to be released on May 27th, 2022, with fans finally getting to see a trailer in January. Similar to Turning Red, The Bob’s Burgers Movie has already garnered a big number of reviews on Letterboxd, despite being 3 months away, and has been added to 1.4k lists.

Minions: The Rise of Gru (July 2022)

The latest addition into Illumination’s Despicable Me universe, Minions: The Rise of Gru is both a sequel and a prequel to previous films in the franchise. Fans can expect to see the story of the original Despicable Me villain/hero Gru’s (Steve Carrell) attempt to rise to power, alongside his infamous assistants: the Minions.

As the fifth installment to a major animation franchise, it’s not surprising that Rise of Gru has already amassed a huge amount of fan interaction on Letterboxd. With 1.5k views and 1.7k lists so far, the film is set to be released on July 1st, 2022.

Untitled Super Mario Bros. Movie(December 2022)

Despite having not even so much as a title announced yet, the upcoming Super Mario Bros.movie has already garnered a large amount of interest from fans due to the unexpected voice casting, which includes Jack Black as Bowser, Anya Taylor-Joy as Princess Peach, and of course, Chris Pratt as Mario.

Little else is known about the plot so far, but with the incomparable popularity of the Mario games, Letterboxd users are definitely anticipating the December 2022 release. So far the film has been added to 1.8k lists.

Wendell & Wild (2022)

Director Henry Selick returns for the first time since his work on Coraline in 2009, and fans could not be more excited to see him return. Wendell & Wild is not only a venture by Selick, however, as the film was co-written by Keegan-Michael Key and Jordan Peele of Key & Peelefame, which is only increasing fans’ excitement.

Wendell & Wild is a stop-motion musical, set to be released on Netflix sometime in 2022. So far audiences have only seen a couple of teasers that introduced them to the main character Kat, who owns the boom box that Key and Peele’s demonic characters live in. Fan interactions with this film on Letterboxd are more modest, with just over a humble 700 additions to lists, however that doesn’t seem to have quelled audience excitement.

Turning red

“It’s actually perfect that Turning Red debuts in 2022—the year of the Tiger. I think it’s so cool that the Tiger represents strength, bravery, confidence, loyalty and ambition—qualities that define Mei, her mom and, really, our whole film crew. They’re the kind of qualities I’d proudly tuck into these red envelopes to share with all of you if I could. But the sentiment is most definitely woven into Mei’s story, and I can’t wait to share that with you this March.” – Domee Shi, Director of Turning Red

Continue reading “Turning red”

After A Decade And Four Films, Actors Check Out With ‘Hotel Transylvania: Transformania’

Count Dracula a.k.a. “Drac” and the Pack are back for their fourth and final outing in Sony Pictures Animation’s Hotel Transylvania: Transformania. 

The franchise, which marries classic monsters from literature and movies with hilarious hijinks at a hotel, and features an all-star voice cast, has raked in more than $1.3 billion globally (with a combined budget of $230 million) since the first comedy/fantasy Hotel Transylvania premiered in September 2012, spawning two sequels—Hotel Transylvania 2 and Hotel Transylvania: Summer Vacation.

The franchise’s lovable monsters return for an all-new adventure that presents Drac (Brian Hull, stepping in for Adam Sandler who previously voiced the character) with his most terrifying task yet. He and his monster pals are transformed into humans, and the one human among them, Johnny (Andy Samberg), Drac’s son-in-law, becomes a monster.

Not only do the monsters have to cope with their new physical forms, they also lose use of their powers, so Drac and Johnny team up and race across the globe to find the antidote for their condition before it becomes permanent. Headstrong Mavis (Gomez) and the hilariously humanoid Drac Pack join them on their adventure. The film also features the voices of Kathryn Hahn (Ericka), Steve Buscemi (Wayne), Molly Shannon (Wanda), David Spade (Griffin the Invisible Man), Keegan-Michael Key (Murray), Fran Drescher (Eunice, the bride of Frankenstein), Brad Abrell (Frankenstein a.k.a. “Frank”) and Asher Blinkoff (Wesley the Wolf Pup). 

Franchise creator Genndy Tartakovsky returns as one of the screenwriters and executive producers. Directed by Derek Drymon and Jennifer Kluska, the film is produced by Alice Dewey Goldstone and executive produced by Tartakovsky, Michelle Murdocca, and Gomez. The story is by Tartakovsky with a screenplay by Tartakovsky, Amos Vernon, Nunzio Randazzo.

Prime Video licensed worldwide streaming rights (excluding China) for Hotel Transylvania: Transformania from Sony Pictures Animation for a reported $100 million. The fourth installment will premiere worldwide in over 240 countries and territories on Prime Video Jan. 14. The deal allows Sony to keep rights for home entertainment, linear television and Chinese exhibition.

‘Sing 2’ Tops VOD Charts As It Thrives At The Box Office

Sing 2 is currently pulling a, well, whatever it is you want to call it when one title rules all five relevant VOD platforms. To wit, it “won the weekend” over at Vudu and is currently tops at Google, Amazon, iTunes and YouTube. This despite its continued existence in theatrical play, where the film had another slight (29%) drop in weekend five. Sing 2 has now earned $128.4 million domestic, passing Ghostbusters: Afterlife ($127 million) as 2021’s ninth-biggest domestic earner. It has also earned $242 million worldwide, passing both Universal’s own The Croods: A New Age ($227 million) and Walt Disney’s Encanto ($215 million) to become the biggest-grossing animated film since Frozen II ($1.45 billion in late 2019). The Illumination toon is yet another example of how, under certain circumstances, streaming and theatrical exhibition that somewhat coexist. 

Continue reading “‘Sing 2’ Tops VOD Charts As It Thrives At The Box Office”

Mom’s 2-Year-Old Son Thought Encanto Character Was Him: “It Was the Impact of Feeling Seen”

If seeing is believing, count 2-year-old Kenzo as a true believer in the power of representation.

This week, during a family viewing of Disney’s Encanto, Kah Brand noticed the moment her son realized that one of the characters, a young boy named Antonio, looked very much like him.

“He seemed to be in awe, just smiling and staring at the screen,” she told POPSUGAR. “Then he stood up and looked back at his dad and me, still smiling. For him, I truly believe that he thought he was seeing himself because of the resemblance between him and Antonio.”

Kenzo’s not alone: when Kah posted the picture of him proudly standing next to the TV screen to Instagram, her friends and family couldn’t contain their excitement over the similarities.

“As a mom, I’m always trying to capture ‘these’ moments,” she said. “I was amazed at his reaction. It just truly made me smile and my heart happy.”

But for her, it was not only the resemblance that mattered.

“It was the impact of feeling seen,” Kah added. “It is essential for Black children to feel seen and to be connected to positive and empowering images for their self-esteem.”

In fact, Encanto prompted a conversation in her home – one in which everyone tried to think of a character from their own childhoods with which they connected.

“But these characters weren’t around,” she said, referencing her own generation. “We didn’t have this growing up. What’s so special about Encanto was that it didn’t stop at just showing us brown characters. It showed the diversity in hair textures and skin tone. I’m so grateful for moments like this because I’m aware of its impact, especially for brown boys and girls. It brings joy to our family. There’s power in representation and magic in creativity. This generation and future generations will experience inclusivity because the film industry is moving in a direction that reflects the true diversity of our world.”

Disney’s Encanto isn’t just about representation — it’s an act of defiance

The animated film gets to the heart of the Colombian experience that many might overlook

fIf the questions I repeatedly answered on first dates while living in Los Angeles were any indication, Americans tend to think of Colombia as a violent, drug-ridden failed state, half-slum and half-jungle, which also happens to be the source of their coffee and Sofía Vergara. But who can blame them? They mostly learned about Colombia from movies and television, and there isn’t much room for nuance in the exoticism of 1984’s Romancing the Stone, the cartel violence of Netflix’s Narcos series, or Gloria’s humorous otherness in ABC’s sitcom Modern Family.

Continue reading “Disney’s Encanto isn’t just about representation — it’s an act of defiance”

Billie Eilish and Finneas Lend Their Talents to Fictional Boy Band in ‘Turning Red’

The agonies of adolescence get a charming, Hulk-like twist in the new trailer for the upcoming Pixar flick, Turning Red.

The animated film stars Rosalie Chiang as Mei Lee, an eager, exuberant, and endlessly busy 13-year-old whose life is upended when she’s suddenly saddled with the ability to transform into a giant red panda when she gets too excited. While Mei is first frustrated by what her mom Ming (voiced by Sandra Oh) describes as a “little quirk [that] runs in our family,” she soon learns how to control the beast within and even put it to good use when necessary (like whipping dodge balls at bullies in gym class).

Turning Red, as Pixar noted on Twitter, will also feature three new songs written by Billie Eilish and Finneas for the fictional boy band Mei and her friends are obsessed with, 4-Town. Finneas will also provide vocals for one of the five members of 4-Town (get it?), with the rest of the group played by Jordan Fisher, Grayson Villanueva, Josh Levi, and Topher Ngo.

HOW ‘ENCANTO’ Art Team Brought Enchantment to Disney’s 60th Animated Featu

Disney Animation’s newest feature, “Encanto,” centers on the extended Madrigal family, who possess magical powers and live in an enchanted house. Only teenager Mirabel, voiced by “In the Heights” actor Stephanie Beatriz, lacks the gift of incantation.

The movie, which debuts in theaters Nov. 24, is rooted in Colombian culture, so filmmakers Byron Howard and Jared Bush traveled to Cartagena and Bogotá to study the details that would capture the country’s essence. Howard says, “We visited Bogotá, Cartagena and small towns like Barichara, Salento and Palenque and stunning natural landmarks like the Cocora Valley, and spent some time with Colombian families.”

Howard and Bush also learned about secret forests and places of magic called ‘encantos’ which helped the storytellers including Charise Castro Smith bring the Latin experience to the feature and help firmly root the story in magical realism. Says Howard, “These are all over Latin America, usually in areas of natural wonder. Our friends in Colombia told us that magic happens in these places and always has. But not European magic, not wizards and wands, but magic tied to emotion and part of a tradition called magical realism.”

Associate production designer Lorelay Bove’s touches were further inspired by Colombian homes. “We added some props that would be found in a cocina Colombiana — like a molinillo, which is a hot chocolate stirrer; a corn grinder; and traditional clay pottery called La Chamba.”

Bove and the art team wanted to ensure the home oozed energy and vibrancy. “We looked at different ways that the house could be moving and thought, ‘What if the stairs move out like a shelf?’” she says.

“The one thing the directors said was that there needed to be truth to the materials,” Bove adds. “They didn’t want to bend wood or metal; they still wanted to make it believable.” The spaces within the house reflected the inhabitants and their powers. That meant the non-magical Mirabel’s room was rather plain.

In comparison, her cousin Antonio, voiced by Ravi Cabot-Conyers, can communicate with animals. Bove looked at the coastline of Colombia and consulted with botanists to reflect natural scenery in the decor of his chamber, filling it with greenery and indigenous animals, including a jaguar and some toucans and capybaras.

For each character, Bove incorporated elements of Colombian folklore as well as hints into their personalities.

For instance, middle daughter Luisa (Jessica Darrow), who has superhuman strength, has images of dumbbells embroidered on her traditional skirt. The designer also used particular hues and patterns to differentiate each of the costumes. “We wanted to make sure to organize the families through distinct color palettes, to make sure that our audiences can track who’s who and which member is from each side of the family. Mirabel’s family has cooler tones to their clothing, while Aunt Pepa [Carolina Gaitan] and Uncle Felix [Mauro Castillo] have warmer color palettes.”

Ron’s Gone Wrong , COMING SOON

Disney has released a new clip from the 20th Century Studios and Locksmith Animation’s film “Ron’s Gone Wrong”.

The film features the story of Barney, a socially awkward middle-schooler and Ron, his new walking, talking, digitally-connected device, which is supposed to be his “Best Friend out of the Box.” Ron’s hilarious malfunctions, set against the backdrop of the social media age, launch them into an action-packed journey in which boy and robot come to terms with the wonderful messiness of true friendship.

“Ron’s Gone Wrong” features the voices of Zach Galifianakis (“A Wrinkle in Time”), Jack Dylan Grazer (“Shazam!”), Olivia Colman (“The Crown”), Ed Helms (“The Office”), Justice Smith (“Jurassic World: Fallen Kingdom”), Rob Delaney (“Deadpool 2“), Kylie Cantrall (“Gabby Duran and the Unsittables”), Ricardo Hurtado (“The Goldbergs”), Marcus Scribner (“Black-ish”), Thomas Barbusca (“Chad”).

“Ron’s Gone Wrong” is coming to cinemas on Friday 22nd October. The film will then be available on Disney+ internationally after the 45-day theatrical exclusive window has been completed. While in the US, the film will have to go to HBO Max first, due to a pre-existing streaming contract made before Disney purchased 20th Century Fox.

Are you looking forward to “Ron’s Gone Wrong”?

The Addams Family 2 review – not ooky, nor kooky, just the smell of a rotting franchise

In 2019, the hopelessly uncreepy animation The Addams Family made it look as if film-makers Greg Tiernan and Conrad Vernon had dug up the bluish mottled corpse of Charles Addams’s creation, attempted CPR and passed it off as a reboot. Now, here’s film No 2; and after a couple years there’s an unmistakably rotten smell wafting up from the franchise. As charmless as its predecessor, The Addams Family 2 is without an iota of ooky, nor any shred of kooky. Really, it’s just kind of ghastly – and not in the intended way.

Inexplicably, most of the talented voice cast return for more punishment. Oscar Isaac is paterfamilias Gomez, with Charlize Theron playing wife Morticia (though without the deliciousness Angelica Houston brought to the 90s live action movies). Actually, the best voice work here is done by Chloë Grace Moretz as the couple’s deadpan offspring Wednesday who, her parents discover, may have been switched at birth. That would explain why she sounds so alienated from the rest of the clan. The likely candidate for her biological father is black-turtleneck-wearing science entrepreneur Cyrus Strange (Bill Hader), who has been sniffing around. To escape his attentions, Gomez takes the family on a road trip across America.

There are a handful of decent one-liners as they take in the sights. “It’s a great wonder of the world and it kills the most tourists,” Fester says gleefully at Niagara Falls. It’s a badge of honour for the film-makers that the animation remains faithful to the visual style of Addams’s original cartoons, but it feels as if zero effort has been put into thinking about the ingredients of family-friendly spookiness. Instead of having dark-side charm, this is in eyeball-achingly bright and manic kids-movie mode. Even the jokes sneaked in for adults – such as a homage to Carrie when Wednesday is accidentally entered into a child beauty pageant – feel done to death. The obvious scheduling slot would have been Halloween, but you can see why they wouldn’t dare. Your little devils deserve better.

 The Addams Family 2 is in cinemas from 8 October.